According to
The Takeout Anheuser-Busch has launched two Royalty Free collections of stock images featuring properly served beer, with diverse consumers and brewers, and myriad beer styles all found in contemporary settings on the free sites
Pexels and
Unsplash.
I was asked recently if I had a breakdown of the stock images uses by various categories of industry users. The answer is NO, and as far as I know no one else has done that type of analysis. However, it occurred to me that it might be useful to develop some broad general ideas of what the breakdowns might be.
Sheron Resnick of 20/20 Software has sent a brief note with very cogent arguments as to why my ideas for an
Image Creator Locator are impractical and probably won’t work. In this story I would like to examine some of her concerns and criticisms and offer some thoughts on each of the issues mentioned.
The biggest problem for the stock photography industry today is that in order to make customers aware that photos exist they must be online. Once online, anyone can easily grab and use them.? If the image is on the photographer’s, or a stock agency site, most users would infer that they should contact the photographers or agency and ask permission. But, more often than not, the picture is seen on Facebook, Pinterest, Instagram or some other site. No one, just looking at the image is sure whether it can be legally used or not. And if it should be licensed where to go to do that.
The legal definition of “Fair Use” is open to a lot of interpretation by courts. in
Brammer v. Violent Hues Productions, LLC, a Northern District of Virginia court recently found in favor of Fair Use. If this decision becomes legal precedent then photographers should assume that if one of their images can be found on the Internet, or anywhere else, anyone can use it for free.
Adobe just released its latest 2018 visual trend, “Creative Reality,” exploring surreal utopias and vibrant color palettes as well as the ways artists are reflecting this new day-glow-infused reality in their work. From art exhibits on
Burning Man to immersive projects like
Summerland, artists are creating new worlds filled with eccentric textures and hyper-sensorial experiences.
After reading last weeks stories
Are Photographers Shooting What’s In Demand? and
What To Shoot: Learning From iStock a photographer sent the following:
...shoot what stirs your mind...
...shoot what you think others might not...
...shoot what you believe you're good at...
...shoot what's reasonably accessible...
...that's all...bye-bye now...
If you’ve been a Getty contributor for a long time you might want to check to see if all the images they have accepted over the years are still in the collection. Jonathan Nourok (
www.jonathannourok.com ) has been contributing his botanical images to Getty Images since it was Tony Stone Images almost 30 years ago. He also posts some of the same images on his own website, but since he has an exclusive agreement for licensing with Getty he notes on his website that the images are only available for licensing through
gettyimages.com.
Recently I’ve done three stories examining various aspects of the collections at
Getty and
iStock and
Shutterstock. The chart below provides easy comparisons of these three collections.
I’ve examined the number of images in certain keyword categories at
Getty and
iStock. Today, I’ve done a count of the number of Shutterstock images with the same keywords as the other two agencies to see if it is possible to draw any comparisons. I'll take a look at the comparisons of collection size between Getty and Shutterstock. In addition there are some interesting things to be learned when comparing the number of photos with the number of illustrations on the Shutterstock site.
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This stock photography news site focuses on the business side of photography with a special emphasis on stock photography. Our goal is to help photographers maximize their earnings based on the quality of their work and the commitment they are prepared to make to the trade. The information provided will be applicable to part-timers as well as full time professional photographers. We’ll leave it to others to teach photographers how to take better pictures.
Jim Pickerell launched his career as a photographer in 1963. In 1990 he began publishing a regular newsletter on stock photography. In 1995 the information was made available online as well as in print and was gradually expanded to a daily service.
Click here for Pickerell's full biography.
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